Chronicle Of A Summer Essay Contest

The radicality of the 1960 documentary “Chronicle of a Summer” is evident from the first scene, which shows its directors, Jean Rouch and Edgar Morin, discussing the project with their chief associate, Marceline Loridan. The film belongs to a distinctive genre of sociological and psychological journalism—it’s a series of interviews with French people on the street, in the workplace, in the home, and even in vacation spots, to determine the country’s state of mind in the summer of 1960, in the midst of the Algerian war. But even as the filmmakers probe, within the hazardous limits of censorship that prevailed in France at the time, the connection between public policy and private life, they also turn the camera on their own practices and assumptions, and on the cinema itself, which had risen in France to become the art form of the moment. Rouch, a documentary filmmaker whose work of the late fifties veered toward reflexive fictions, was an inspiration for the New Wave. With “Chronicle of a Summer,” he and Morin, a sociologist, made a revolution of their own.

For over four decades, The Writer’s Chronicle has served as a leading source of articles, news, and information for writers, editors, students, and teachers of writing. Published six times during the academic year, the Chronicle provides diverse insights into the art of writing that are accessible, pragmatic, and idealistic. Each issue features in-depth essays on the craft of writing, as well as extensive interviews with accomplished authors. Readers can also find news on publishing trends and literary controversies; a listing of grants, awards, and publication opportunities available to writers; and a list of upcoming conferences for writers, including AWP’s Annual Conference & Bookfair. Our pages are for those who love reading and writing.

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Interviews with Kenneth Irby and Julia Keller
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Sample Articles

ArticleAuthor

A Conversation on Craft with Ursula K. Le Guin

David Naimon

Addressing Structural Racism in Creative Writing Programs

Kazim Ali

Towards a New Creative Writing Pedagogy

Fred D'Aguiar

Ferguson, Whiteness as Default, & the Teaching of Creative Writing

David Mura

In Our Way: Racism in Creative Writing

Claudia Rankine

An Interview with William Least Heat-Moon

William Naparsteck

The Quarrel with Ourselves: Robert Penn Warren’s “World of Action and Liability”

Natasha Trethewey

The Master Craftsman: Function Follows Form in Henry James’s The Portrait of a Lady

Douglas Bauer

Ars Poetica and the Talking Cure: Poetry, Therapy, & the Quest to Create

Lisa C. Krueger

Kurt Brown and What You Can Do for Poetry

David J. Rothman

Balancing Craft & Commitment: Writing Political Fiction

Rosellen Brown, Tracy Daugherty, & Ellen Meeropol

The Postmodern Memoir

Hugh Ryan

The Absence of Their Presence: Mythic Character in Fiction

Steven Schwartz

Novel Anxiety: Notes from the Genre War Trenches

Martha Cooley

Between Starshine & Clay:An Interview with Lucille Clifton

Remica L. Bingham

Poetry & Memorability

Mark Irwin

Turning the Screws of Story Construction with Henry James

Aimee Liu

Odds on Ends

Molly Giles

Poetry & Ethics: Writing About Others

Natasha Sajé

An Interview with Sheryl St. Germain

Allison Schuette

How We Are Changed by the Rhythms of Poetry

Karin de Weille

Sin's Entertainment: On Dante's Inferno

Martha Cooley

Silence & Storytelling

Alice Mattison

Elegy for Desire: Luis Omar Salinas 1937-2008

Christopher Buckley

Machines Made Out of Words: Translating Function & the Translator's Function

Tony Barnstone

The Interval in Writing: What Happens Between Pussycats & Thugs Does Not Stay Between Pussycats & Thugs

Brian Baldi

The Meandering River: An Overview of the Subgenres of Creative Nonfiction

Sue William Silverman

On Difficulty in Poetry

Reginald Shepherd

My Touchstones

Alan Cheuse

Aural Invention as Floral Splendor: Louis Zukofsky's Vision of Natural Beauty in 80 Flowers

Leon Lewis

Beautiful Clarity: Jane Kenyon, Anna Akhmatova, and the Luminous Particular

David Harbilas

Ouija, Canoe, Haiku: A Collaborative Inquiry into Collaborative Poetry

Isaac Cates & Chad Davidson

An Interview with Rita Dove

Elizabeth Alexander

Return to Sender: Memory, Betrayal, and Memoir

Mark Doty

An Interview with Chang-rae Lee

Sarah Anne Johnson

An Interview with Edward P. Jones

Sherry Ellis

Peering at Privacy in Creative Nonfiction

Kaylene Johnson

Writing and Moaning

Alan Cheuse

"Imp of Verbal Darkness": Poetry Hoaxes & the Postmodern Politic

Rebecca Warner

An Interview with Ai

Tomas Q. Morin

An Interview with Ursula K. Le Guin

Ramola D

The Treasure Trove of Metaphor: More on Poetry Anthologies

Rachel Hadas

Telescope, Well Bucket, Furnace: Poetry Beyond the Classroom

Jane Hirshfield

An Interview with Nick Hornby

Tom DeMarchi

A Conversation with Dorothy Allison

Renée Olander

Remembering Eudora Welty

Richard Bausch

Poetry and Survival

Gregory Orr

An Interview with Jayne Anne Phillips

Sarah Anne Johnson

An Interview with Li-Young Lee

Marie Jordan

The Muse in the News

Andrew Ciofalo

"Tis Backed Like a Weasel": The Slipperiness of Metaphor

Tony Hoagland

Bend Sinister: A Handbook for Writers

Alice McDermott

From Long Shots to X-Rays: Distance & Point of View in Fiction Writing

David Jauss

The Self as a Literary Construct

Jocelyn Bartkevicius

An Interview with Mark Doty

Dale Boyer

Rules & Reality in Fiction

Ron Tanner

Reviewing Literary Citizenship

Valerie Miner

Hypertext: Of Mouse & Man

Sven Birkerts

An Interview with Mary Oliver

Renee Olander

An Interview with Rosellen Brown

Alexander Neubauer

Emily Dickinson, Madonna, Boomers, Busters, the Old Criterion, & the Next Millennium—

Martin Schecter

The Great Ventriloquist Act: Gender and Voice in the Fiction Workshop

Julie Brown

Literary Cross-Dressing

Marianne Hauser

Rocks in Our Beds: A Dark Valentine to New England

John Clellon Holmes

The Writer as Midwife

Daniel Halpern

Whole Sight: Notes on New Black Fiction

Charles Johnson

Tendril: A Brief History

Mari Lonano

Solitude or Community: Writing As It is Taught

Donald Justice

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